| 1 |
Was der Fall ist |
Johanna von Monkiewitsch |
LHM, Düren + Strzelecki Books, Köln |
Book |
120 |
28 x 20 cm |
9/2024 |
|
|
| 2 |
Dystopia 2024 |
sound art biennial, Berlin |
Errant Sound e.V., Berlin |
Book |
128 |
10,8 x 17,9 cm |
2024 |
The Dystopia Sound Art Biennial, organised by Errant Sound and this year under the artistic direction of Nida Ghouse and Georg Klein, will take place from 7 to 29 September in HAUNT/frontviews in Schöneberg and in the Galiläa Church in Friedrichshain. Featuring sound installations, performances, and site-specific projects by over thirty participating artists from fifteen countries, the exhibition will be accompanied by an event program that runs on all four weekends. From 20 to 29 September at KUNSTRAUM Potsdamer Straße, students in the Sound Studies and Sonic Arts program at the Berlin University of the Arts will also be represented at the Biennial for the first time. On 12 and 13 September, a symposium in the interim space of Errant Sound at Miss Read in Wedding will round off the program.
dystopia.berlin
errantsound.net
|
| 3 |
Dystopia 2024 |
sound art biennial, Berlin |
Errant Sound e.V., Berlin |
Poster |
2 |
59,4 x 84,1 cm |
9/2024 |
The Dystopia Sound Art Biennial, organised by Errant Sound and this year under the artistic direction of Nida Ghouse and Georg Klein, will take place from 7 to 29 September in HAUNT/frontviews in Schöneberg and in the Galiläa Church in Friedrichshain. Featuring sound installations, performances, and site-specific projects by over thirty participating artists from fifteen countries, the exhibition will be accompanied by an event program that runs on all four weekends. From 20 to 29 September at KUNSTRAUM Potsdamer Straße, students in the Sound Studies and Sonic Arts program at the Berlin University of the Arts will also be represented at the Biennial for the first time. On 12 and 13 September, a symposium in the interim space of Errant Sound at Miss Read in Wedding will round off the program.
dystopia.berlin
errantsound.net
|
| 4 |
ADfD / Alternatives Denkmal für Deutschland |
Mikala Hyldig Dal + Siska |
ADfD |
Poster |
2 |
59,4 x 84,1 cm |
9/2024 |
adfd.info
The ADfD Gate blends collages, sculptures, and poetic expressions into a layered repre- sentation of migration, creating a fragmented yet cohesive visual experience. The project spans four locations in Berlin, offering a dynamic exploration of migration’s traces and memories accessible via the Monuments AR app.
|
| 5 |
Walden: Relay |
|
Künstlerhof Frohnau e.V., Berlin |
Poster |
|
59,4 x 84,1 cm |
7/2024 |
Walden IV: Relay
Festival for sound art and performance
Walden is a festival for contemporary music, sound and performance art that will take place for the fourth time on July 6, 2024: at the Künstlerhof Frohnau and in the surrounding forest. Under this year's title “Relay”, Walden once again invites local and international artists to use the forest as a resonating body and stage and to approach the multi-layered history of this place in the former border area with performances, concerts and installations and to reimagine it for a day.
www.kuenstlerhof-frohnau.de
|
| 6 |
Film Undone - Elements of a Latent Cinema |
Philip Widmann |
Archive Books, Berlin |
Book |
240 |
14 x 21,5 cm |
6/2024 |
www.latent-cinema.net
+
archivebooks.org
Film Undone presents contributions introducing unmade and unfinished film projects, film ideas realised in non-filmic media, as well as films that remained unseen in their intended form and at their intended time. These tentative and careful probes dedicated to singular projects reflect the importance of primary materials before and beyond the film. Bringing them together as Elements of a Latent Cinema opens a space to consider cases from various political geographies and historical moments in relation. Latency prompts to think differently about what has remained invisible in cinema than under deficit-centred categories such as failure, loss, or incompletion. It marks a sustained potentiality for things to change their condition, to affect us and set us in motion.
|
| 7 |
Stehen Liegen Hängen |
Dörte Eißfeldt |
Distanz Verlag, Berlin |
Book |
88 |
19,5 x 26 cm |
6/2024 |
|
|
| 8 |
Transferfenster |
Peter Piller |
Kunstmuseum Gelsenkirchen |
Poster |
|
59,4 x 84,1 cm |
6/2024 |
|
|
| 9 |
Spuren von Bewegung vor dem Eis |
René Frölke |
Joon Film |
Poster |
|
59,4 x 84,1 cm |
1/2024 |
|
|
| 10 |
What Fog? |
Philip Widmann |
Philip Widmann |
Poster |
|
59,4 x 84,1 cm |
1/2024 |
|
|
| 11 |
la qualité qu'on ne discute pas |
a r c |
– |
Poster |
|
59,4 x 84,1 cm |
12/2023 |
|
|
| 12 |
Terry Riley |
Seeingsounds Ensemble – Terry Riley: In C |
Künstlerhof Frohnau e.V., Berlin |
Poster |
|
59,4 x 84,1 cm |
9/2023 |
|
|
| 13 |
OK bin da |
Larissa Rosa Lackner |
Edizione Multicolore |
Book |
88 |
21 x 31,5 cm |
8/2023 |
Larissa Rosa Lackner
Edizione Multicolore
Ok bin da (heute als Buch)
Herzlich Willkommen, wie schön, dass ihr da seid ! Überhaupt etwas zu tun, das scheint mir gerade eine wirklich große Leistung, auch für mich selbst.
Weil so viele (Leute) gefragt haben, gibt es mich jetzt endlich auch als Buch. (Mich!) direkt miterschöpft
Auge um Auge, Essen um Acht.
Larise Rose Laggener (gestern bis morgen / hier und da / früher oder später), geboren, Künstlerin, überraschend und beobachtungsstark, malt bekleidet immer mal. Persönliche Vierschichtigkeiten unterstreichen ihre Farben des Jahrhunderts. Sie erforscht Geräte und andere Gefühle, die sich häufig in ihrem Alltag durchkreuzen. Das gewebte Kind! Sie ist Tochter einer Boulangerie und gleichzeitig Mutter eines Sinnbilds für Ambiguität. Sie ist blond und das finden viele Leute „besser“.
Die Durcheinanderreihung OK BIN DA – entstanden in Zusammenarbeit mit der schreibenden Fahrerin A.K. und der Gestalt Joachim Bartschess – ist heute hier als Fadenheftung zu erleben. Die Ölkreidebilder hat Larissa Rosa Lackner gemalt, die Textfragmente finden sich in anderen Zusammenhängen in den unendlichen Werken von Anne Kulbatzki.
Text: Anne Kulbatzki
|
| 14 |
Libken Sommerakademie 2023 |
|
Libken e.V. |
Poster |
|
59,4 x 42 cm |
8/2023 |
Libken Sommerakademie Nr. 7
The annual summer academy is a one-week interdisciplinary workshop led by three experienced lecturers from the fields of photography, painting and graphic arts, inviting the participants to engage artistically with a changing thematic focus.
with
Photography: Barbara Proschak
Painting/Drawing: Marlen Letetzki
Graphic design: Jan Blessing
Libken e.V.
Ort Böckenberg 15 - 17
17268 Gerswalde
Images by Alexander Gehring
|
| 15 |
Film undone - Elements of a Latent Cinema |
AA.VV. |
Philip Widmann |
Poster |
|
59,4 x 84,1 cm |
7/2023 |
Film Undone
elements of a latent cinema
Berlin
Thu–Sun
20–23 July 2023
latent-cinema.net
|
| 16 |
Walden: Memory Beach |
|
Künstlerhof Frohnau e.V., Berlin |
Poster |
|
84,1 x 59,4 cm |
7/2023 |
Festival für zeitgenössische Musik und Performance
auf dem Künstlerhof Frohnau und dem ehemaligen Grenzstreifen
kuenstlerhof-frohnau.de
|
| 17 |
Temporary Arrival |
MA/BA UiT |
University of Tromsø, (NO) |
Exhibition |
|
- |
6/2023 |
|
|
| 18 |
Blank. Raw. Illegible… Artists’ Books as Statements |
Moritz Küng + Leopold-Hoesch-Museum, Düren |
Verlag der Buchhandlung F.+ W. König, Köln |
Book |
448 |
20 x 28 cm |
5/2023 |
|
|
| 19 |
Langzeitbelichtung – 25 Jahre Künstlerhof Frohnau |
|
Künstlerhof Frohnau e.V., Berlin |
Poster |
|
59,4 x 84,1 cm |
5/2023 |
|
|
| 20 |
Mary Briefe 1–3 |
Nadja Bournonville, Anne Kulbatzki, Joachim Bartsch |
Nadja Bournonville |
Poster |
|
59,4 x 84,1 cm |
4/2023 |
Die britische Philosophin und Publizistin Mary Wollstonecraft macht sich 1795 im Auftrag ihres Partners auf die geheime Suche nach einer Schiffsladung Silber. Anfänglich in Begleitung ihrer 3 Monate alten Tochter und eines Dienstmädchens, später allein. Die Briefe, die Wollstonecraft während ihrer Reise an den Vater des Kindes schreibt, veröffentlicht sie im Nachhinein unter dem Titel Letters written during a short stay in Sweden, Norway and Denmark. Durch diese und andere Reisen und Publikationen gilt sie heute als Vorreiterin feministischer Theorie und Lebenspraxis. Nadja Bournonville und Anne Kulbatzki sind ihr nachgereist. Entstanden sind 3 Briefe und eine Liste mit Adressatinnen. Wenn du Eine* davon bist: is doch schön!
Mary
|
| 21 |
Is history ok? |
Johannes Hugo Stoll |
ElectroPutere + Editura Artes, Iași (RO) |
Book |
80 |
17,5 x 28 cm |
4/2023 |
|
|
| 22 |
Rüben |
Ingar Krauss |
Hartmann Books, Stuttgart |
Book |
|
22,7 x 28,9 cm |
3/2023 |
Box with 36 cards with tritone illustrations on chromo board, a leaflet and a poster
+ Rübenkampagne
hartmann-books.com
|
| 23 |
Sabina |
Wiebke Elzel |
Textem Verlag, Hamburg |
Book |
416 |
16,4 x 23,5 cm |
3/2023 |
|
|
| 24 |
Museums Verein Düren |
|
Museums Verein Düren |
CD |
|
– |
2023 |
|
|
| 25 |
LHM 2023 |
|
Leopold-Hoesch Museum, Düren |
Exhibition |
|
– |
2023 |
|
|
| 26 |
Laguna Vere |
Mariam Gegidze |
Tbilisi Architecture Archive |
Book |
88 |
12x19 cm |
12/2023 |
Aquatic Sports Complex “Laguna Vere”
საწყლოსნო-სპორტული კომპლექსი “ლაგუნა ვერე“
more infos: TAA
|
| 27 |
Auf Montage |
Lukas Zerbst |
Verlag Kettler, Dortmund |
Book |
176 |
12 x 19 cm |
11/2022 |
|
|
| 28 |
Panta Rhei |
Silke Eva Kästner |
DCV, Berlin |
Book |
144 |
20 x 28,5 cm |
8/2022 |
|
|
| 29 |
Libken Sommerakademie 2022 |
Nadja Bournonville, Alexander Gehring + a r c |
Libken e.V. |
Workshop |
|
42x59,4cm |
8/2022 |
|
|
| 30 |
Walden: Petrichor |
|
Künstlerhof Frohnau e.V., Berlin |
Poster |
|
84,1 x 59,4 cm |
7/2022 |
Eintägiges Performancefestival auf dem Künstlerhof Frohnau, kuratiert von SHIN Hyo Jin und Oscar Otto Hernandez Ruiz.
www.kuenstlerhof-frohnau.de
|
| 31 |
Tiny unpredictable material objects |
HTW Berlin |
HTW Berlin + Freiraum Forum Wissen Göttingen |
Exhibition |
|
– |
7/2022 |
https://tumo.gbv.de/
forum-wissen.de
Postkoloniale Perspektiven auf Pflanzen im Georg Forster Herbarium (1772-75). Die Ausstellung ist das Ergebnis des Teilprojekts Sammeln erforschen an der Hochschule für Technik und Wirtschaft Berlin, in Kooperation mit der Zentralen Kustodie der Universität Göttingen.
|
| 32 |
Never ending words |
Øystein Aasan |
Teknisk Industri, Oslo (NO) |
Book |
112 |
16,2 x 30,5 cm |
5/2022 |
|
|
| 33 |
A material relation |
Philip Widmann |
– |
Website |
|
– |
4/2022 |
|
|
| 34 |
Gegeben sind |
Reuterswärd Fahlström Duchamp |
Sprengel Museum Hannover |
Book |
176 |
32 x 21 cm |
3/2022 |
Marcel Duchamp’s ideas, concepts and works fell on fertile ground in the Swedish art scene of the 1950s and 1960s. Carl Fredrik Reuterswärd and Öyvind Fahlström followed in the footsteps of the conceptual artist andearly pioneer of Dadaism and Surrealism.
Curators: Thomas Millroth, Norbert Nobis, Carina Plath, Paula Schwerdtfeger
www.sprengel-museum.de
|
| 35 |
Xaraasi Xanne |
Raphaël Grisey + Bouba Touré |
Spectre Productions, Rennes (F) |
Poster |
|
59,4 x 84,1 cm |
3/2022 |
www.raphaelgrisey.net
Film by director Raphaël Grisey in collaboration with photographer Bouba Touré, chronicles the ongoing developments and practices of Somankidi Coura, a self-organized farming cooperative along the Senegal River. Somankidi Coura was founded in 1977 by a group of former migrant workers and activists who had been living in France following the Sahel drought of 1973. The film focuses on the historical struggles of migrant workers in France, rural infrastructures and networks and the afterlife of colonial developmentalism and forced labor.
|
| 36 |
Frankfurter Kopien |
Daniel Poller |
Spector Books, Leipzig |
Book |
166 |
24,5 x 34,5 |
3/2022 |
|
|
| 37 |
Kino Al-Amir Berlin |
Franziska Pierwoss, Siska |
Hopscotch Reading Room, Berlin |
Poster |
2 |
59,4 × 84,1 cm |
3/2022 |
|
|
| 38 |
Polychrom |
Rakel Ochoa Diego + Nathalie Heredia |
Rakel Ochoa Diego + Nathalie Heredia |
Website |
|
– |
1/2022 |
|
|
| 39 |
Printed matter for TKF 2022 |
|
Tromsø Kunstforening (NO) |
Mixed |
|
– |
2022 |
|
|
| 40 |
LHM 2022 |
|
Leopold-Hoesch-Museum, Düren |
Exhibition |
|
– |
2022 |
|
|
| 41 |
Behala Ka |
Lizza May David |
Universitätsverlag Hildesheim |
Book |
60 |
16,6 x 24,9 cm |
11/2021 |
|
|
| 42 |
Mosaik |
Post-colonial Voices |
Neue Nationalgalerie Berlin |
Book |
36 |
12,4 x 27 cm |
11/2021 |
Ernst Ludwig Kirchner showed his studio in his painting Studio Corner (1919/1920),
giving viewers insight into the way he made his art. The texts in the MOSAIC audio station analyze the work
from a post-colonial perspective and reflect upon the continued existence of colonial structures in the present.
|
| 43 |
Demoiselle dans les plantes |
Inga Kerber |
Lubok Verlag, Leipzig |
Book |
16 |
20x28cm |
10/2021 |
|
|
| 44 |
Still Fields |
Ali El-Darsa + Elias Kosanke |
– |
Poster |
2 |
42x59,4cm |
10/2021 |
Still Fields
Columbiadamm Cemetery is a repository of German
imperial, colonial and genocidal history. It is
Germany’s first Muslim cemetery, the main historical
military cemetery in Berlin and the site of the
“Hererostein” (Herero Stone), a memorial that honors
German perpetrators of colonial violence against the
Herero and Nama people in what is now Namibia.
Through conversation with activists, historians,
cultural workers, cemetery staff and visitors, Still Fields
examines the cemetery’s unrecognized and
contentious layers of history, which lie incongruously
alongside one another.
|
| 45 |
www.leopoldhoeschmuseum.de |
|
Leopold-Hoesch-Museum, Düren |
Website |
|
– |
9/2021 |
|
|
| 46 |
Prismen |
Erweiterte Perspektiven |
Neue Nationalgalerie Berlin |
Book |
40 |
14,8 x 21 cm |
9/2021 |
In the following texts authors, artists, art interpreters, and curators look at selected works in the collection. The articles will open up new perspectives on past social discussions that continue to affect the present. Because of the variety of topics and viewpoints, including post- and de-colonialism, feminism, queer studies, and culture theory, the texts can be seen as PRISMS that refract the beam of art history.
|
| 47 |
Redeem |
|
Siska |
Poster |
|
59,4 x 84,1 cm |
8/2021 |
For three days in August, Redeem will sojourn in Haus der Statistik with a line-up of readings, talks, films, live performances, and more.
Haus der Statistik
logo design:
Nancy Naser Al Deen
|
| 48 |
Plié |
Jimmy Robert |
Leopold-Hoesch-Museum, Düren / Verlag der Buchhandlung König, Köln |
Book |
76 |
16,8 x 23,6 cm |
1/2021 |
|
|
| 49 |
a worm crossed the street |
Nadja Bournonville |
Fotohof Edition, Salzburg (AT) |
Book |
592 |
21x28,5 |
12/2020 |
www.nadjabournonville.se
www.fotohof.net
|
| 50 |
The space between us |
Lonski & Classen |
Osthafen |
CD |
|
30 x 30cm |
12/2020 |
|
|
| 51 |
Teleheimarbeit |
a r c |
Universität Greifswald |
Workshop |
|
– |
2/2021 |
Workshop
Teleheimarbeit
Universität Greifswald
5.- 11.2.2021
-----
Homeoffice (1986) | Arbeiten von zu hause | SRF Archiv 1986
https://www.youtube.com/watch?v=AajWXkydUkY
---
Im Kreise der Familei zu arbeiten, fände ich sehr angenehm. Mein Favorit wäre ganz klar die Kugekschreibermontage von Zuhause aus. Gerade als ein langjähriger Sammler von Kulis würde ich mich über eine solche Heimarbeit natürlich sehr freuen.
Klaus, 47 Jahre, Düsseldorf
|
| 52 |
LHM 2021 |
|
Leopold-Hoesch-Museum Düren |
Mixed |
|
– |
2021 |
|
|
| 53 |
Bio im Blick |
Fördergemeinschaft ökologoischer Landbau Berlin-Brandenburg e.V. |
Fördergemeinschaft Ökologischer Landbau Berlin-Brandenburg e.V. |
Book |
56 |
21 x 26 cm |
10/2020 |
|
|
| 54 |
ein öffentlicher Text |
Arne Schmitt |
Spector Books, Leipzig |
Book |
224 |
9,5 x 14,7 cm |
7/2021 |
|
|
| 55 |
Rückschaufehler |
Eiko Grimberg |
Kodoji Press, Baden (CH) |
Book |
116 |
22 x 27cm |
11/2020 |
|
|
| 56 |
Mirror Language |
Jimmy Robert |
Museion Bozen, (IT) |
Exhibition |
|
– |
5/2021 |
|
|
| 57 |
Printed matter for TKF 2021 |
|
Tromsø Kunstforening (NO) |
Mixed |
|
– |
2021 |
|
|
| 58 |
Wir bauen eine neue Stadt |
wirwir |
wirwir |
Poster |
|
59,4 x 84,1 cm |
6/2021 |
|
|
| 59 |
What do we have in common |
Tbilisi Architecture Biennial 2020 |
TAB, Tbilisi (GE) |
Poster |
|
59,4 x 84,1 cm |
10/2020 |
|
|
| 60 |
im Grünen; zentral, offen, alt |
Kunstpavillon im Grünen |
Kunstpavillon e.V., München |
Website |
|
– |
8/2021 |
|
|
| 61 |
Publish 1 - das Magazin |
a r c |
Universität Greifswald |
Workshop |
|
– |
10/2020 |
Workshop
Voyage Voyage
Universität Greifswald
1.- 8.10.2020
|
| 62 |
Walden: Unanswered Questions |
|
Künstlerhof Frohnau e.V., Berlin |
Poster |
|
59,4 x 84,1 cm |
8/2021 |
|
|
| 63 |
Neue Mysterien |
Luiza Prado + Annette Fricke |
Künstlerhof Frohnau e.V., Berlin |
Poster |
|
59,4 x 84,1 cm |
5/2021 |
|
|
| 64 |
Sur les pavés l’asphalte |
Arne Schmitt |
– |
Poster |
1 |
59,4 x 84,1 cm |
10/2020 |
|
|
| 65 |
Romanian Contemporary Art |
Bojenoiu, Nae |
Hatje Cantz, Berlin |
Book |
208 |
23,9 x 30,4 cm |
10/2020 |
|
|
| 66 |
Post Exit – The Gardens of Liminality |
MA/BA UiT |
University of Tromsø, (NO) |
Exhibition |
|
- |
9/2020 |
Two shows showcase works by the recently graduated artist that are now entering the new step in their practices.
The title of the show borrows the concept of the word “liminality” from twentieth century folklorist Arnold van Gennep and Victor Turner.
In anthropology, liminality (from the Latin word līmen, meaning "a threshold") is the quality of ambiguity or disorientation that occurs in the middle stage of a rite of passage, when participants no longer hold their pre-ritual status but have not yet begun the transition to the status they will hold when the rite is complete.
UiT
|
| 67 |
Affiche 1 - das Plakat |
a r c |
Universität Greifswald |
Workshop |
|
– |
9/2020 |
Workshop
Universität Greifswald
14.-19.9.2020
|
| 68 |
Libken Sommerakademie 2020 |
Nadja Bournonville, Alexander Gehring + a r c |
Libken e.V. |
Workshop |
|
42x59,4cm |
8/2020 |
2.–9.8.2020
«Am Schönsten ist das Gleichgewicht, kurz bevor's zusammenbricht.» (Fischli/Weiss)
photography
Sara-Lena Maierhofer
drawing and painting
Sebastian Speckmann
graphic design, typography
Pascal Storz
more detailed informations:
Libken
|
| 69 |
Bruised Features / Negative Growth |
Stian Ådlandsvik |
åaaå books, Oslo (NO) |
Book |
112 |
12x19cm |
5/2020 |
|
|
| 70 |
Zeichen der Zeit |
Arne Schmitt |
Spector Books, Leipzig |
Book |
48 |
21,9 x 27,8 cm |
3/2020 |
|
|
| 71 |
Revue |
Jimmy Robert |
Leopold-Hoesch-Museum, Düren |
Book |
60 |
14 x 23 cm |
3/2020 |
|
|
| 72 |
Garcías Tochter |
Alina Simmelbauer |
– |
Book |
112 |
16,7 x 23,5 cm |
2/2020 |
|
|
| 73 |
Printed matter for TKF 2020 |
|
Tromsø Kunstforening (NO) |
Mixed |
|
- |
2020 |
|
|
| 74 |
Tempelhofer Flughafen – Was nun? |
a r c , K. Piel |
Tempelhofer Wald / MicaMoca e.V., Berlin |
Poster |
1 |
18/1 |
12/2019 |
www.tempelhoferwald.berlin
The Tempelhof airport is located without Vision in the middle of the city.
He is a unique and difficult building, one of the largest in the world.
The previous participation process for the subsequent use has come to a standstill.
Der Flughafen Tempelhof liegt ohne Vision in der Mitte der Stadt.
Er ist ein einzigartiges und schwieriges Gebäude, eines der größten der Welt.
Der bisherige Partizipationsprozess für die Nachnutzung steht still.
|
| 75 |
politik. macht. sein – 2018 + 19 |
|
Dachverband sächsischer Migrantenorganisationen e.V. |
Poster |
2 |
42 × 29,7 cm |
11/2019 |
|
|
| 76 |
Decay |
Sara Wallgren |
Rojal Förlag, Gothenburg (SE) |
Book |
112 |
20 x 32 cm |
11/2019 |
|
|
| 77 |
die Insel |
Arne Schmitt, Fari Shams |
Skulpturenmuseum Glaskasten, Marl |
Poster |
1 |
59,4 x 84,1 cm |
10/2019 |
|
|
| 78 |
Lukas Zerbst |
Lukas Zerbst |
Verlag Kettler, Dortmund |
Book |
96 |
20 × 25 cm |
10/2019 |
|
|
| 79 |
Are you happy? |
Göran Gnaudschun |
Distanz Verlag, Berlin |
Book |
128 |
21 × 28 cm |
10/2019 |
|
|
| 80 |
latent border (s) |
Siska |
Gropius Bau, Berlin |
Leaflet |
12 |
12 x 21 cm |
9/2019 |
|
|
| 81 |
Das Mahl |
Franziska Pierwoss |
Tempelhofer Wald / MicaMoca e.V., Berlin |
Poster |
1 |
59,4 x 84,1 cm |
9/2019 |
|
|
| 82 |
Kreuzweg |
Mia Florentine Weiss |
Distanz Verlag, Berlin |
Book |
132 |
21,8 x 28 cm |
9/2019 |
|
|
| 83 |
Hecken Hütten Haufen |
Ingar Krauss |
Hartmann Books, Stuttgart |
Book |
88 |
24 x 26 cm |
6/2019 |
|
|
| 84 |
True-false Stories |
|
art and fiction, Lausanne (CH) |
Book |
160 |
12,3 x 18,7 cm |
5/2019 |
|
|
| 85 |
Erfunden-wahre Geschichten |
|
Network of Museums of the Valais (CH) |
Mixed |
|
- |
5/2019 |
|
|
| 86 |
E und H und Wettelsheim bleiben |
|
Erika und Hilde, Berlin |
Poster |
1 |
59,4 × 84,1 cm |
5/2019 |
|
|
| 87 |
Vraies-fausses histoires |
|
Network of Museums of the Valais (CH) |
Poster |
1 |
89,5 x 128 cm |
4/2019 |
|
|
| 88 |
Libken Werkschau 2017-19 |
|
Libken e.V. |
Poster |
1 |
42 x 59,4 cm |
3/2019 |
|
|
| 89 |
Heide |
Larissa Rosa Lackner |
– |
Book |
176 |
A3, A4, A5 |
3/2019 |
|
|
| 90 |
Belichtungen |
|
art'us collectors' collective |
Book |
48 |
19 × 27,2 cm |
2/2019 |
|
|
| 91 |
Studie: Kunstorte in Sachsen |
|
Landesverband Bildende Kunst Sachsen e.V. |
Book |
112 |
19,8 × 29,7 cm |
2/2019 |
|
|
| 92 |
k-strich.de |
|
Galerie K-Strich, Bremen |
Website |
|
– |
1/2019 |
|
|
| 93 |
Printed matter for TKF 2019 |
|
Tromsø Kunstforening (NO) |
Mixed |
|
– |
2019 |
|
|
| 94 |
you need another hero |
a r c |
Absage Berlin Biennale 2020 |
Poster |
1 |
59,4 × 84,1 cm |
12/2018 |
|
|
| 95 |
Osthafen Feuertonne |
Felix Classen |
Arkaoda, Berlin |
Poster |
1 |
42 × 29,7 cm |
12/2018 |
|
|
| 96 |
Der frühe Vogel fliegt |
Lysann Buschbeck |
hesperus print* Verlag, Dresden |
Book |
144 |
17,5 × 28 cm |
11/2018 |
|
|
| 97 |
Ophelié l'Anarchie |
Emilia de Fries |
Neue Liebe, Berlin |
Leaflet |
8 |
42 × 29,7 cm |
11/2018 |
|
|
| 98 |
intercepted |
Nadja Bournonville |
Fotohof Edition, Salzburg (AT) |
Book |
144 |
16,5 × 24 cm |
10/2018 |
|
|
| 99 |
Verz Vokalensemble Rechenzentrum |
|
Verz, Potsdam |
Postcard |
2 |
21 x 14,8 cm |
10/2018 |
|
|
| 100 |
Libken Symposium / neue Felder - neue Dörfer |
|
Libken e.V. |
Poster |
1 |
59,4 × 42 cm |
9/2018 |
|
|
| 101 |
die 68er und Ich |
|
Diakonie, Offenbach |
Book |
60 |
14,8 x 21 cm |
8/2018 |
|
|
| 102 |
kofinkschels.de |
Jüttner, Kofink |
– |
Website |
|
- |
8/2018 |
|
|
| 103 |
Libken Sommerakademie 2018 |
a r c |
Libken e.V. |
Workshop |
|
- |
8/2018 |
www.libken.de
Third Libken Summer Academy
12.8.-18.8.2018
with
Nadja Bournonville
Stian Ådlandsvik + Lutz-Rainer Müller
a r c
|
| 104 |
PolArt |
Arctos |
Troms fylkeskommune / Tromsø Kunstforening (NO) |
Website |
|
- |
6/2018 |
www.polart.cargocollective.com
webpage for the polart residence program
PolArt is an artist in residence program where a group of early career artists is invited to join the scientific community
of marine biologists during their expeditions in the Arctic ocean. The residency ran annually from 2007-2013. Twenty-two artists participated during these years.
Every year a group show, the PolArt exhibition, was part of the Tromsø Kunstforening program.
Since then Tromsø Kunstforening has wanted to establish a platform for the participating artists to work more in-depth.
Our curator/public programs manager Hanne Gudrun Gulljord has been working with this as part of an in MA Curatorial practice
at the Faculty of Fine Art, Music and Design, University of Bergen.
|
| 105 |
And then you come back |
Jana Engel |
Otte 1, Eckernförde |
Poster |
1 |
59,4 × 84,1 cm |
6/2018 |
|
|
| 106 |
Libken Sommerakademie 2018 |
|
Libken e.V. |
Poster |
1 |
42 × 59,4 cm |
5/2018 |
|
|
| 107 |
Sounding Architecture Manifest No 1 |
Thomas Tsang |
HKU Department of Architecture, Hong Kong (HK) |
Magazine |
12 |
29,7 × 42 cm |
5/2018 |
design a r c + paul thalmeier
Sounding Architecture critically examines the liminal space where art, architecture and music might overlap. Research in this case takes the form of bold new initiatives in cross-disciplinary collaborations, as historically, sound and architectural principles are discretized, rarely considered as contingent overlapping parameters in each field, though, in truth, they are. Anyone who has heard a piece of music in a space can learn to be sensitive to the fact that the architecture is a contributing factor to the resonance and, therefore, the music enfolding in a space. With the realization that architecture is ostensibly an instrument in all sonic conditions, architecture can then be factored into the musical composition.
|
| 108 |
Basalt |
Arne Schmitt |
Spector Books, Leipzig |
Book |
120 |
21 x 29,7 cm |
4/2018 |
|
|
| 109 |
Sounding Architecture in concert |
Thomas Tsang |
University of Hong Kong (HKG) |
Poster |
1 |
59,4 × 84,1 cm |
4/2018 |
|
|
| 110 |
lab - life of artists in berlin |
Valentina Galossi |
Bäßler Verlag, Berlin |
Book |
144 |
14,7 × 20,8 cm |
4/2018 |
design a r c + paul thalmeier
|
| 111 |
54 Litfaß Kiosk |
Rozbeh Asmani |
Kunsthochschule für Medien, Köln |
Book |
120 |
14,5 × 24 cm |
4/2018 |
|
|
| 112 |
Recent Works and Other Myths |
Sveinn Fannar Jóhannsson |
Melk Gallerie, Oslo (NO) |
Leaflet |
16 |
59,4 × 42 cm |
3/2018 |
|
|
| 113 |
The Pool |
Eiko Grimberg |
Haus 1, Berlin |
Poster |
2 |
60 x 90 cm |
3/2018 |
www.k-strich.de
poster and postcard for the exhibition
The Pool
9. — 18. März 2018
Haus 1
Waterloo Ufer Berlin
|
| 114 |
Montevideo |
A. Schröter, E. Schröter |
Verlag für moderne Kunst, Wien (AT) |
Book |
168 |
19,5× 25 cm |
3/2018 |
|
|
| 115 |
In the ruins of Baalbeck Studios |
Siska |
Siska |
Poster |
1 |
59,4 × 84,1 cm |
2/2018 |
n the ruins of baalbeck studios
february 17 2018
2 pm
Forum Expanded
international premiere
Akademie der Künste Berlin
www.siska.info
|
| 116 |
Intervisions 1+2+3 |
Anne Schneider |
Zwei Eulen Hamburg |
Poster |
1 |
59,4 × 84,1 cm |
2/2018 |
|
|
| 117 |
see hear touch kiss |
|
Encourage e.V. |
Poster |
1 |
42 × 59,4 cm |
2/2018 |
Benefizkonzert Flüchtlingshilfe
Nikodemus Kirche Berlin
|
| 118 |
Never ending memory |
Øystein Aasan |
Teknisk Industri, Oslo (NO) |
Book |
272 |
22 x 30 cm |
1/2018 |
|
|
| 119 |
Licht |
Anna-Eva Bergman |
Museum d. bildenden Künste, Leipzig / Hirmer Verlag, München |
Book |
96 |
22,5 × 28 cm |
1/2018 |
|
|
| 120 |
Printed matter for TKF 2018 |
|
Tromsø Kunstforening (NO) |
Mixed |
|
- |
2018 |
|
|
| 121 |
Occupy: Commons No 2 |
HKIA |
The Hong Kong Institute of Architects (HK) |
Magazine |
140 |
20 × 26,5 cm |
12/2017 |
|
|
| 122 |
Amerika vorher |
Nils Mollenhauer |
- |
Book |
68 |
16,2 × 23,5 cm |
11/2017 |
|
|
| 123 |
Folge meiner Spur |
lab bode |
Staatliche Museen zu Berlin |
Poster |
1 |
84,1 x 118,9 cm |
11/2017 |
|
|
| 124 |
Symposium - Film in the Present Tense |
laborberlin e.v. |
UDK, Berlin |
Poster |
1 |
59,4 × 84,1 cm |
10/2017 |
20.-22.October 2017 Berlin
international symposium on current developments in analog fil culture.
Film in the Present Tense is the closing event of RE MI.
Organised by LaborBerlin in cooperation with the Film Institute of the Berlin University of the Arts, Film in the Present Tense will bring together filmmakers, artists, programmers, technicians and representatives from museums, independent film labs and cinemas to address these questions and formulate ideas, possibilities and plans of action for keeping film current and alive. In addition to six panel discussions, there will be screenings and expanded cinema performances presenting some of the ways in which film continues to exist in the present tense.
www.laborberlin-film.org
www.re-mi.eu
|
| 125 |
Bits and Pieces |
Hannes Wiedemann |
Hannes Wiedemann |
Book |
72 |
21 × 25 cm |
10/2017 |
|
|
| 126 |
Lux Kino Köln |
Franziska Pierwoss, Siska |
– |
Poster |
2 |
59,4 × 84,1 cm |
9/2017 |
|
|
| 127 |
Libken Sommerakademie 2017 |
a r c |
Libken e.V. |
Workshop |
|
– |
8/2017 |
www.libken.de
Second Libken Summer Academy
29.7.-5.8.2017
with
Paula Winkler + Alexander Gehring
Christine Gensheimer + Lars Rosenbohm
a r c
|
| 128 |
lab bode Aktionstag |
lab bode |
Staatliche Museen zu Berlin |
Exhibition |
|
21 × 29,7cm |
7/2017 |
Informations sheets for an action parcour in the Bode-Museum
www.lab-bode.de
|
| 129 |
lab bode Aktionstag |
lab bode |
Staatliche Museen zu Berlin |
Leaflet |
8 |
59,4 × 42 cm |
7/2017 |
|
|
| 130 |
Real Places No 1: Hideaway |
Stefanie Pretnar |
Kulturamt Frankfurt/M |
Magazine |
32 |
21 × 28 cm |
6/2017 |
|
|
| 131 |
Libken Symposium / Signal!=Rauschen |
|
Libken e.V. |
Poster |
1 |
59,4 × 42 cm |
6/2017 |
|
|
| 132 |
Maxi - Ricz Man - 13 Song Cycle |
Ricz Man |
Ricz Man |
CD |
2 |
12 x 12 cm |
6/2017 |
|
|
| 133 |
In neuer Pracht |
Arne Schmitt |
– |
Poster |
1 |
70 x 100 cm |
5/2017 |
|
|
| 134 |
Bruised Features |
Stian Ådlandsvik |
z gallery arts, Vancouver (CAN) |
Book |
40 |
12 × 19 cm |
5/2017 |
|
|
| 135 |
Occupy: Housing No 1 |
HKIA |
The Hong Kong Institute of Architects (HK) |
Magazine |
120 |
20 × 26,5 cm |
3/2017 |
|
|
| 136 |
Tschau-Tschuessi Store |
Tschau-Tschuessi |
GFZK Leipzig |
Display |
|
- |
2/2017 |
|
|
| 137 |
Printed matter for TKF 2017 |
|
Tromsø Kunstforening (NO) |
Mixed |
|
- |
2017 |
|
|
| 138 |
Printed matter for Galerie Burster 2017 |
|
Galerie Burster, Berlin |
Mixed |
|
- |
2017 |
|
|
| 139 |
l + s |
Lutz-Rainer Müller, Stian Ådlandsvik |
– |
Website |
|
– |
11/2016 |
webpage for the german-norwegian artist duo
Lutz-Rainer Müller and Stian Ådlandsvik
www.l-plus-s.com
|
| 140 |
Scenic Utah |
Stephan Bögel |
– |
Book |
88 |
17 × 27 cm |
10/2016 |
|
|
| 141 |
the canvas and the monkey |
Lizza May David |
Kerber Verlag |
Book |
96 |
19,8 × 29,7 cm |
10/2016 |
|
|
| 142 |
39 Bilder |
Ingar Krauss |
Hartmann Books |
Book |
96 |
22,6 × 28,6 cm |
10/2016 |
|
|
| 143 |
Mikro - Makro |
Rozbeh Asmani |
NRW Akademie der Wissenschaften und der Künste |
Poster |
1 |
59,4 × 84,1 cm |
10/2016 |
|
|
| 144 |
Kein Ort. Finsternis |
Anne Schneider |
Zwei Eulen, Hamburg |
Poster |
1 |
59,4 × 84,1 cm |
10/2016 |
|
|
| 145 |
Cosmos - Turist - National |
a r c |
Akzente, Goethe Institute, Chisinau (MDA) |
Workshop |
|
- |
10/2016 |
Cosmos - Turist - National
workshop in Chisinau, Moldava
6.10.-12.10.2016
Ghidul în calitate de intermediar între Air si B.
www.akzente.md
|
| 146 |
fragen für alle |
|
Deliberativa |
Website |
|
- |
9/2016 |
webpage for the artist group DELIBERATIVA.
Anke Dyes
Heike Geißler
Anna-Lena von Helldorff
www.fragenfueralle.de
|
| 147 |
Libken Sommerakademie 2016 |
a r c |
Libken e.V. |
Workshop |
|
- |
8/2016 |
www.libken.de
first Libken Summer Academy
22.8.-28.8.2016
with
Nadja Bournonville+ Alexander Gehring
Grit Hachmeister + Pauline recke
a r c
|
| 148 |
Libken Sommerfest 2016 |
|
Libken e.V. |
Poster |
1 |
42 × 59,4 cm |
8/2016 |
|
|
| 149 |
Bildanalytische Photographie 1968-1974 |
Timm Rautert |
Kupferstich-Kabinett Dresden |
Poster |
1 |
59,4 × 84,1 cm |
7/2016 |
timm rautert. bildanalytische photographie 1968-1974
2.7.-25.9.2016
Kupferstich-Kabinett Dresden:
poster, invitation, leaflet
|
| 150 |
Bildanalytische Photographie 1968-1974 |
Timm Rautert |
Spector Books, Leipzig |
Book |
56 |
16,5 × 21 cm |
7/2016 |
Catalogue for the Exhibition:
Timm Rautert. Bildanalytische Photographie 1968-1974
2.7.-25.9.2016
Kupferstich-Kabinett Dresden
www.spectorbooks.com
|
| 151 |
Bildanalytische Photographie 1968-1974 |
Timm Rautert |
Kupferstich-Kabinett Dresden |
Exhibition |
|
- |
7/2016 |
Exhibition Design and Printed-matter:
Timm Rautert. Bildanalytische Photographie 1968-1974
2.7.-25.9.2016
Kupferstich-Kabinett Dresden:
|
| 152 |
3. Sächsischer Fachtag Bildende Kunst / Kunst und Öffentlichkeit |
|
Landesverband Bildende Kunst Sachsen e.V. |
Leaflet |
12 |
84,1 × 59,4 cm |
6/2016 |
|
|
| 153 |
A House In Ninh Hoa |
Philip Widmann |
Pong Film, Berlin |
Film |
|
- |
4/2016 |
|
|
| 154 |
Buch |
Rosa Loy |
Lubok Verlag, Leipzig |
Book |
128 |
20,6 × 26,5 cm |
4/2016 |
|
|
| 155 |
jag kramar dig |
Deutsche Oper Berlin |
Nicodemus Kirche, Berlin |
Poster |
1 |
42 × 59,4 cm |
1/2016 |
|
|
| 156 |
Kurant, Divan and Cinema |
|
Kurant visningsrom Tromsø (NO) |
Poster |
1 |
- |
1/2016 |
www.kurant.cc
www.tiff.no
kurant, divan and cinema during TIFF
film program during Tromsø International Film Festival
an intimate and collective experience, in a cinema where seats have been replaced by one large divan.
Three nights of unique screenings, each with films selected especially for the setting.
A collaboration between film curator Sarah Schipschack, artist and architect Håvard Arnhoff and Kurant.
|
| 157 |
1-33 |
Hannah Regenberg |
Lubok Verlag, Leipzig |
Book |
112 |
21 × 27,2 cm |
1/2016 |
|
|
| 158 |
Printed matter for Galerie Burster Berlin 2016 |
|
Galerie Burster, Berlin |
Mixed |
|
- |
2016 |
|
|
| 159 |
Printed matter for TKF 2016 |
|
Tromsø Kunstforening (NO) |
Mixed |
|
- |
2016 |
|
|
| 160 |
Tomescu + Dinu Lipatti Trio plus |
|
Rumänische Botschaft Berlin |
Poster |
1 |
59,4 × 84,1 cm |
12/2015 |
|
|
| 161 |
Sachbuch |
Henriette Grahnert |
Lubok Verlag, Leipzig |
Book |
200 |
17 × 24,5 cm |
11/2015 |
|
|
| 162 |
Swipe |
Borrmann, Lackner, Speth |
Plan Mee |
Poster |
1 |
59,4 × 84,1 cm |
11/2015 |
|
|
| 163 |
Travestie für Fortgeschrittene: Durch Wände gehen |
|
Galerie für Zeitgenössische Kunst, Leipzig |
Exhibition |
|
- |
10/2015 |
|
|
| 164 |
Das Surren der Bildmaschine |
Thomas Taube |
Spector Books, Leipzig |
Book |
176 |
16 × 24 cm |
10/2015 |
|
|
| 165 |
Die neue Ungleichheit |
Arne Schmitt |
Spector Books, Leipzig |
Book |
88 |
22,5 × 21 cm |
10/2015 |
|
|
| 166 |
Artisti de circ sub cupola |
|
Akzente, Goethe Institute, Chisinau (MDA) |
Workshop |
|
a r c |
10/2015 |
www.akzente.md
Artisti de circ sub cupola
workshop in Chisinau, Moldava
5.-9.10.2015
|
| 167 |
Libken Sommerfest 2015 |
|
Libken e.V. |
Poster |
1 |
42 × 59,4 cm |
8/2015 |
|
|
| 168 |
Wink, blink, close your eyes |
Bournonville, Eldagsen, Gehring |
– |
Poster |
2 |
59,4 × 84,1 cm |
7/2015 |
|
|
| 169 |
Laughing Inverts |
Lena Rosa Händle |
Kehrer Verlag, Heidelberg |
Book |
200 |
16,4 × 24 cm |
6/2015 |
|
|
| 170 |
Der Arbeitsschuh drückt / Zur Geschichte der Tagungsgetränke |
|
48h Neukölln, Berlin |
Exhibition |
|
a r c |
6/2015 |
der arbeitsschuh drückt
zur geschichte der tagungsgetränke
the career of conference beverages
1966
Gründung des Christinen Brunnen. Am 1. Mai 1966 läuft die erste Flasche vom Produktionsband. Es folgt eine rasante Aufwärtsentwicklung, verbunden mit einer starken Kapazitäts- und Sortimentsausweitung.
1978
Als erster Mineralbrunnen füllt Christinen Brunnen eine 0,33l-Leichtglas- Recyclingflasche (Quickdrinkflasche) ab. Eine der erfolgreichsten Produkt- entwicklungen in der Firmengeschichte.
48 hours neukölln
26 June - 28 june 2015
Werra Strasse 1
12059 Berlin
|
| 171 |
Société anonyme |
Stian Ådlandsvik |
Galleri K, Oslo (NO) |
Postcard |
2 |
14,8 × 21 cm |
5/2015 |
|
|
| 172 |
Milk Bar |
Siska |
Bundesverband bildender Künstler, Köln |
Leaflet |
6 |
– |
4/2015 |
|
|
| 173 |
La Fayette |
Rebecca Wilton |
– |
Book |
40 |
19,5 × 26 cm |
1/2015 |
|
|
| 174 |
Printed matter for galerie burster 2015 |
|
Galerie Burster, Berlin |
Mixed |
|
- |
2015 |
|
|
| 175 |
Sundowner / Neue Nationalgalerie 2015 |
a r c, Wilton, Pierwoss, Galossi |
– |
Exhibition |
|
- |
2015 |
sundowner is a series of events gathering peolpe together every other tuesday in front of neue nationalgalerie before sunset to enjoy the presentation of different works
# 9 nico ruffo + sandrino scheidegger
don't talk to strangers / 8.9.
# 8 solmaz, shirana + setareh shabazi
bring your sister / 1.9.
# 7 pascal kress - The Book of ABCs / 18.8.
# 6 claire waffel + Pere Ferrera Bertran
kommerz was yesterday / 11.8.
# 5 Azonto Special / 4.8.
# 4 Christian Blumberg + Siska - e.d.l. / 21.7.
# 3 albrecht pischel in concert / 30.6.
# 2 nils mollenhauer - Untitled (Left Blank #9)
16.6.
# 1 rebecca wilton - la fayette / 21.4.
|
| 176 |
Printed matter for Libken e.V. |
|
Libken e.V. |
Identity |
|
- |
2015 |
www.libken.de
artist in residence program on the countryside nearby Berlin, in the Uckermark.
Located in the centre of wide fields, lakes and ecological agriculture we finally found the perfect building for our upcoming institution in the tiny village Böckenberg, 1½ h from Berlin. The building consists of 24 apartments, various garages and a huge garden with plenty of small sheds and shelters.
|
| 177 |
Web + printed matter for KN Gallery 2015 |
|
KN - space for art in context, Berlin |
Mixed |
|
- |
2015 |
|
|
| 178 |
Printed matter for TKF 2015 |
|
Tromsø Kunstforening (NO) |
Mixed |
|
- |
2015 |
|
|
| 179 |
Koopblatt no.1 - no.4 |
|
Koopstadt Stadtentwicklung Bremen, Leipzig, Nürnberg |
Magazine |
44 |
21 × 29,7 cm |
2015 |
|
|
| 180 |
Dispositions in time and space |
Club Elecctro Putere |
Museum of Contemporary Art Bucharest (RO) |
Poster |
1 |
- |
11/2014 |
exhibition design and printed matter
DISPOZIÈII ÃN TIMP ÈI SPAÈIU / dispositions in time and space
27 november - 28 march 2015
http://mnac.ro
|
| 181 |
Beauty and Truth / Cáppatvuohta ja duohtavuohta |
TKF |
Orkana Forlag, Oslo (NO) |
Book |
88 |
16 × 23 cm |
10/2014 |
Beauty and Truth /
Cáppatvuohta ja duohtavuohta
Dialogues between Sami art and art historical research - three academic articles, eleven
artists´ texts and documentation of the works specially commissioned for the exhibition
www.tromsokunstforening.no
www.orkana.no
|
| 182 |
Iskra - Roman frei nach Tatsachen |
Bartsch, Grimberg |
Institut für Buchkunst Leipzig |
Book |
192 |
20 × 25 cm |
10/2014 |
www.institutbuchkunst.hgb-leipzig.de
Über 55 000 Besucher besichtigten bisher in Leipzig die seit fünf Jahren bestehende Iskra-Gedenkstätte, in der am 24. Dezember 1900 die erste Nummer der von Lenin geschaffenen Zeitung Iskra fertiggestellt wurde. 1
Der Publikation Iskra. Roman frei nach Tatsachen. liegt die Beschäftigung mit der 1900/01 von Lenin herausgegebenen und in Probstheida gedruckten Zeitung Iskra zugrunde und mehr noch, die an dieser Stelle 1956 eröffneten Iskra-Gedenkstätte. Das Buch versammelt in besonderer Weise bisher ungesichtetes Material des stadtgeschicht- lichen Museums Leipzig und montiert die gewonnenen Fragmente zu einem roman über den Aufbau eines Museums und der Rekon- struktion eines biografischen Details, einer mediengeschichtlichen Marginalie in der politischen Karriere W.I. Lenins.
Das Studium der weitverzweigten Verbindun- gen, die zur Vorbereitung des geheimen Drucks einer fremdsprachigen Zeitung mit fremdartigen Lettern sowie zu deren illegalem Versand geknüpft werden mußten, mutet spannend an, wie die Lektüre eines Kriminalromans. 2
1 Wernicke, Kurt in: ...wieder mal ins Museum. Die Iskra in der Russenstraße,
Für dich Nr. 18, 1972
2 o. V.: LVZ, 27. 12. 1960
|
| 183 |
24 Posters |
Toni Schönbuchner |
1. Leipziger Poster Biennale, Berlin |
Exhibition |
|
59,4 × 84,1 cm |
10/2014 |
|
|
| 184 |
Reihe Experimentalfilm / Minifestival |
Filmgalerie Alpha60 |
D21, Leipzig |
Poster |
1 |
59,4 × 84,1 cm |
9/2014 |
|
|
| 185 |
Vor dem Tanz |
Aleksandra Odic |
Akademie der Künste, Berlin |
Film |
|
– |
9/2014 |
|
|
| 186 |
vonbirken.de |
büro vonbirken |
– |
Website |
|
- |
8/2014 |
|
|
| 187 |
folie à deux |
Nadja Bournonville, Sebastian Speckmann |
Galerie Kleindienst, Leipzig |
Postcard |
2 |
17 × 12,5 cm |
8/2014 |
|
|
| 188 |
gogo |
Tilo Baumgärtel |
Lubok Verlag, Leipzig |
Book |
12 |
20 × 28 cm |
7/2014 |
|
|
| 189 |
Galerie Burster |
|
Galerie Burster, Berlin |
Identity |
|
- |
7/2014 |
|
|
| 190 |
secret to tell |
a r c |
48 h Neukölln, Berlin |
Exhibition |
|
- |
6/2014 |
secret to tell / 48 hours neukölln
27 June 2014, Opening at 20:15 pm
28 june + 29 june 10 am - midnight
werra strasse 1
From the cliffs of passion to the coast of dreams.
A typographic piece along titles of Jane Fraser in three parts.
|
| 191 |
anything but chardonnay |
a r c |
Loriza, Berlin |
Exhibition |
|
- |
5/2014 |
anything but chardonnay
29 may - 31 may 2014
Hohe Räume wirken niedriger, wenn die Decke mit einer gemusterten Tapete beklebt wird. Die Wandtapete darf nicht vertikal gestreift sein.
Räume, hohe, wirken niedriger > hohe.
Stuhlbeine hinterlassen keine Kratzer, wenn selbstklebende Filze, Filz- oder Gleitnägel untergeklebt bzw. -geschlagen werden.
Tabakgeruch in Kleidern: Lüftung im Freien oder aufgehängt, ganz mit feuchtem Tuch umhüllen. In Zimmern hängt man feuchte Schwämme oder Tücher auf.
Teller bleiben stets sauber, auch wenn jeweils nur ein Teil benutzt wird, wenn man die gespülten Teller unter die noch im Schrank stehenden stellt. So kommen alle Teller der Reihe nach in zwei bis drei Tagen auf den Tisch, werden regelmäßig gespült und sind daher stets sauber.
www.loriza.de
|
| 192 |
Galerie Kleindienst Volta |
|
Galerie Kleindienst, Leipzig |
Leaflet |
4 |
21 × 29,7 cm |
5/2014 |
Leaflets for Volta Art fair / Basel
|
| 193 |
ohne Sorge - Malbuch Nr. 1 |
Sebastian Gögel |
Lubok Verlag, Leipzig |
Book |
12 |
20,7 × 28,8 cm |
5/2014 |
|
|
| 194 |
Nothing Is Said ('Til The Artist Is Dead) |
Thomas Janitzky |
ANV - Arbeiten Und Nicht Verzweifeln |
CD |
|
– |
4/2014 |
record cover, brochure
7 inch
|
| 195 |
Nonopoly |
Henriette Grahnert |
Griffelkunst, Hamburg |
Book |
80 |
22,5 × 32 cm |
4/2014 |
|
|
| 196 |
2. Sächsischer Fachtag Bildende Kunst / Wert Arbeit Kunst |
|
Landesverband Bildende Kunst Sachsen e.V. |
Book |
64 |
14,8 × 21 cm |
4/2014 |
|
|
| 197 |
Odyssé |
a r c |
Nordland kunst- og filmfagskole (NO) |
Workshop |
|
- |
3/2014 |
Workshop
with a r c + Nadja Bournonville
A one week fanzine- workshop with seven students at the Nordland Kunst- og Filmfagskole in Kabelvåg were we created a fanzine around an alternative take on the Hurtigrutten tourist boats that traffic the coast of Norway
"...Brothels and colonies are two extreme types of heterotopia, and if we think, after all, that the boat is a floating piece of space, a place without a place, that exists by itself, that is closed in on itself and at the same time is given over to the infinity of the sea and that, from port to port, from tack to tack, from brothel to brothel, it goes as far as the colonies in search of the most precious treasures they conceal in their gardens, you will understand why the boat has not only been for our civilization, from the sixteenth century until the present, the great instrument of economic development (I have not been speaking of that today), but has been simultaneously the greatest reserve of the imagination. The ship is the heterotopia par excellence..."
Michel Foucault, "Of Other Spaces, Heterotopias." Architecture, Mouvement, Continuité 5 (1984): 46-49.
|
| 198 |
Geräusch einer fernen Brandung |
Arne Schmitt |
Spector Books, Leipzig |
Book |
128 |
18 × 24 cm |
3/2014 |
|
|
| 199 |
Szenario |
Philip Widmann |
workscited, Berlin |
Film |
|
- |
2/2014 |
szenario
poster, postcard, dvd, opening + end-credits
a film by philip widmann and karsten krause
premiere february 11, 2014 berlin
https://www.berlinale.de/de/archiv/jahresarchive/2014/02_programm_2014/02_filmdatenblatt_2014_20142611.html?openedFromSearch=true#tab=filmStills
|
| 200 |
Printed matter for TKF 2014 |
|
Tromsø Kunstforening (NO) |
Mixed |
|
- |
2014 |
|
|
| 201 |
Printed-matter for Galerie Burster 2014 |
|
Galerie Burster, Berlin |
Mixed |
|
- |
2014 |
|
|
| 202 |
Ich-AG Geige |
Thomas Janitzky |
ANV - Arbeiten Und Nicht Verzweifeln |
Mixed |
|
- |
12/2013 |
record cover, poster and postcard
for the awesome one-off cover band
Ich-AG Geige consisting of
members Paule Hammer, Thomas
Janitzky, Daniel Mudra, and
Marcus Psurek
7 inch
|
| 203 |
2013 |
Sebastian Speckmann |
Max-Pechstein-Förderpreis |
Book |
16 |
22,8 × 28 cm |
9/2013 |
|
|
| 204 |
Innere Geschlossenheit |
Arne Schmitt |
Max-Pechstein-Förderpreis |
Book |
16 |
22,8 × 28 cm |
9/2013 |
|
|
| 205 |
Hy Brazil / Issue 0 |
Axel Töpfer |
Laboratory for Visibility Hy Brasil |
Magazine |
16 |
21 × 29,7 cm |
9/2013 |
Welcome to our magic island Hy Brasil,
a land reigned over by as yet
unseen beauty and where dark fears
assume shape and body.
Hy Brasil is said to emerge periodically
out of dense fog for two days every
seven years.
The Laboratory of Visibility demonstrates:
Hy Brasil appears everywhere and always.
www.sirenen.name
|
| 206 |
Chambre Sauvage |
Nadin M. Rüfenacht |
Lubok Verlag, Leipzig |
Book |
112 |
21 × 28,5 cm |
8/2013 |
|
|
| 207 |
clubelectroputere.ro |
|
Club Electroputere, Craiova (RO) |
Website |
|
- |
8/2013 |
|
|
| 208 |
Wohnen in der Stadt - Projekte 1950-2020 |
|
Stadtmuseum Düsseldorf |
Exhibition |
|
- |
8/2013 |
exhibition design in collaboration
with Anna-Lena von Helldorff
( www.ingebrauch.de )
|
| 209 |
Kino Apollo Zürich |
Franziska Pierwoss, Siska |
Europaallee, Zurich (CH) |
Poster |
2 |
59,4 × 84,1 cm |
7/2013 |
|
|
| 210 |
serial sights |
a r c |
CEP / Goethe Institut Bucharest (RO) |
Workshop |
|
- |
4/2013 |
Serial Sights
Workshop de graficÄ 9.-13.04.2013
Str. Biserica Enei 16, Bucuresti
Workshop de graficÄ cu
Joachim Bartsch / Timo Grimberg /
Toni Schoenbuchner. Ideea care a stat
la baza organizÄrii acestui workshop
de patru zile a fost aceea de a oferi o
introducere in universul de creaÈie al unor
artiÈti aleÈi,reprezentanÈi ai minimalismului
Èi ai artei conceptuale din anii ´60. Vor fi
selectate câcteva lucrÄri,care sunt caracterizate, in
ciuda diferenÈelor, printr-o abordare
abstractÄ, minimalÄ, deseori politicÄ. Astfel, participanÈii
vor avea ocaziasÄ-Èi dezvolte propriile concepte sub formÄ
graficÄ/vizualÄ.
in colaborare cu Clubul Electroputere Craiova/BucureÈti ci
Goethe Institut Bucuresti
|
| 211 |
50 Jahre nur einen Anruf weit entfernt |
|
Telefonseelsorge Karlsruhe |
Book |
44 |
19 × 27,4 cm |
4/2013 |
|
|
| 212 |
World of Details |
Viktoria Binschtok |
Distanz Verlag, Berlin |
Book |
136 |
21,3 × 28,3 cm |
3/2013 |
|
|
| 213 |
Malerei, Skulptur, Film |
K. H. Hoedicke |
Berlinische Galerie, Berlin / Hirmer Verlag, München |
Book |
128 |
23 × 27 cm |
2/2013 |
|
|
| 214 |
june |
Jana Nowack |
– |
Book |
70 |
20,1 × 27,5 cm |
2/2013 |
|
|
| 215 |
n.n.-n.n. |
a r c |
Hochschule für Grafik und Buchkunst, Leipzig |
Workshop |
|
- |
2/2013 |
course with students to develop a design for the annual Rundgang at the HGB in Leipzig
Leon Auffenberg
Marie Lautsch
Patrick Müller
|
| 216 |
Stadtgründung |
|
Stadtmuseum Düsseldorf |
Exhibition |
|
- |
2/2013 |
exhibition design in collaboration
with Anna-Lena von Helldorff
( www.ingebrauch.de )
|
| 217 |
Hecht |
Lysann Buschbeck |
Spector Books, Leipzig |
Book |
224 |
14,6 × 20,5 cm |
12/2012 |
|
|
| 218 |
Reihe Experimentalfilm / Minifestival |
Filmgalerie Alpha60 |
D21, Leipzig |
Leaflet |
16 |
29,7 × 42 cm |
12/2012 |
|
|
| 219 |
Hell is Chrome |
Stian Ådlandsvik |
Künstlerhaus Bethanien, Berlin |
Book |
50 |
20,5 × 27 cm |
11/2012 |
|
|
| 220 |
Richtlinie zur Ausstellungsvergütung |
|
Landesverband Bildende Kunst Sachsen e.V. |
Book |
16 |
12,6 × 18,9 cm |
11/2012 |
|
|
| 221 |
Der Auftrag |
Ayla Gottschlich |
Zum Goldenen Lamm Filmproduktion, Berlin |
Film |
|
– |
11/2012 |
|
|
| 222 |
A Conversion Act |
Nadja Bournonville |
Fotohof Edition, Salzburg (AT) |
Book |
96 |
19,2 × 28 cm |
10/2012 |
|
|
| 223 |
Verflechtungen |
Arne Schmitt |
Sprengel Museum, Hannover |
Leaflet |
12 |
42 × 29,7 cm |
10/2012 |
|
|
| 224 |
Ars Viva 12/13 - Systeme / Systems |
|
Kulturkreis im BDI / Hatje Cantz, Ostfildern |
Book |
144 |
20 × 28 cm |
10/2012 |
|
|
| 225 |
13 Postkarten |
Wiebke Elzel |
Kunstverein Röderhof |
Postcard |
2 |
14,8 × 10,5 cm |
9/2012 |
|
|
| 226 |
mzin.de |
|
Mzin, Leipzig |
Website |
|
– |
9/2012 |
mzin
bookstore and project space for visual culture
Leipzig
www.mzin.de
|
| 227 |
Concrete Philosophy |
Arne Schmitt |
– |
Book |
28 |
20,3 × 28 cm |
6/2012 |
|
|
| 228 |
Bodyplay / Distype |
a r c |
CEP / Goethe Institut Bucharest (RO) |
Workshop |
|
– |
6/2012 |
workshop / Complex de Vitamin at
Club Electro Putere, Craiova
Club Electroputere Bucuresti organizeaza in perioada 09 - 13 aprilie 2013, in cadrul programului Complex de Vitamine, o noua editie a atelierului de design grafic sustinut de Joachim Bartsch, Timo Grimberg si Toni Schönbuchner (arc Berlin/Leipzig).
Daca aruncam o privire asupra disciplinelor vizuale precum designul grafic, pictura, arhitectura, sculptura etc. putem recunoaste cu usurinta serii tematice care sunt reluate dea lungul istoriei. Intelegand aici, prin serie, constuctia unui intreg prin concordanta, repetitia sau variatia unor piese identice sau asemanatoare.Plecand de la aceasta definitie simpla vom incerca, in atelierul propus de noi, sa practicam si sa urmarim productia de serie sau metoda seriala. Atelierul are o latura practica, aplicata. Se va muci, se va mosmondi in atelier utilizand materialele simple, diferite prefabricate pe care le putem intalni cu usurinta. Spatiul urban ofera locul ideal pentru a colecta astfel de materiale ce vor fi luate din mediul lor si reutilizate. Tehnica montajului, pe care o vom preda, este menita sa trasforme materialele colectate si sa le aseze intr-un nou context. Rezultatul acestei activitati consta in obtinerea unor postere si mici brosuri realizate de participanti. De asemenea, se vor putea efectua si obiecte tridimensionale. Toate acestea vor fi reunite intro expozitie comuna extinsa, care va incheia atelierul.
|
| 229 |
Von Cowboys und Aliens, also Science Fiction |
|
Die Streichelwurst |
Magazine |
52 |
20,5 × 29 cm |
5/2012 |
|
|
| 230 |
Die Fälschung - il falso |
Steve Viezens |
Galerie Kleindienst, Leipzig |
Book |
88 |
24 × 32,5 cm |
4/2012 |
|
|
| 231 |
Reihe Experimentalfilm / Takashi, Socialisme, Minifestival |
Filmgalerie Alpha60 |
D21, Leipzig |
Poster |
1 |
59,4 × 84 cm |
12/2011 |
|
|
| 232 |
Zum Gebrauch des Delphins |
|
Meisterklasse Rauch |
Book |
64 |
21 × 29,7 cm |
9/2011 |
|
|
| 233 |
The Surveyor |
Fabian Reimann |
Spector Books, Leipzig |
Book |
145 |
21 × 29,7 cm |
8/2011 |
|
|
| 234 |
Wenn Gesinnung Form wird |
Arne Schmitt |
Spector Books, Leipzig |
Book |
352 |
16,9 × 24,1 cm |
7/2011 |
|
|
| 235 |
Himmel ohne Wolken |
Edgar Leciejewski |
The Green Box, Zurich (CH) |
Book |
68 |
24,4 × 32,6 cm |
7/2011 |
|
|
| 236 |
NYC |
Edgar Leciejewski |
Lubok Verlag, Leipzig |
Book |
104 |
23,4 × 33 cm |
7/2011 |
|
|
| 237 |
Celebrate Sebastian |
|
Galerie Kleindienst, Leipzig |
Poster |
2 |
42 × 59,4 cm |
7/2011 |
|
|
| 238 |
1. Sächsischer Fachtag Bildende Kunst / Basis und Überbau |
|
Landesverband Bildende Kunst Sachsen e.V. |
Book |
64 |
14,8 x 21 cm |
6/2011 |
|
|
| 239 |
Romanian Cultural Resolution documentary |
Club Electro Putere |
ICR Venice, Venice Biennale (IT) |
Exhibition |
|
- |
6/2011 |
printed matter, exhibition design
Romanian Cultural Resolution-documentary
at the 54th Venice Biennale
|
| 240 |
Romanian Cultural Resolution |
Nicolescu, Bojenoiu |
Hatje Cantz, Ostfildern |
Book |
232 |
23,9 × 30,4 cm |
5/2011 |
Romanian Cultural Resolution
Zeitgenössische Kunst aus Rumänien
Published by: Adrian Bojenoiu, Alexandru Niculescu
Texts by: Marius Babias, Adrian Bojenoiu,
Sebastian Cichocki,Livius Ciocârlie, Apsara DiQuinzio,
Bogdan Ghiu, Anca Mihulet, Mihnea Mircan, Vlad Morariu,
Cristian Nae, Amelia Pavel, Mihai Pop,
Matt Price, Magda Radu, Raluca Voinea, Maxa Zoller
|
| 241 |
CEP Issue Nr 1 |
Club Electro Putere |
ICR, Stockholm (SE) |
Magazine |
20 |
19 × 27,4 cm |
2/2011 |
|
|
| 242 |
Printed matter for Club Electro Putere Craiova |
|
CEP, Craiova (RO) |
Mixed |
|
– |
2011-2012 |
|
|
| 243 |
Masterpieces from Earth |
Anne Naundorf, Edgar Leciejewski |
– |
Poster |
2 |
70 × 100 cm |
10/2010 |
|
|
| 244 |
Engel, Dreck, Liebe. |
|
Rumänisches Kulturinstitut, Berlin |
Book |
94 |
12 × 17 cm |
9/2010 |
|
|
| 245 |
Reihe Experimentalfilm / Avantgarde ist keine Strömung 1 |
Filmgalerie Alpha60 |
D21, Leipzig |
Poster |
1 |
59,4 × 84,1 cm |
7/2010 |
|
|
| 246 |
To be undone |
Nadja Bournonville |
Galerie Gabriel Rolt, Amsterdam (NL) |
Book |
36 |
16 × 21 cm |
5/2010 |
|
|
| 247 |
Forms of Display |
Toni Schönbuchner |
– |
Exhibition |
|
– |
2/2010 |
Ausstellung im Kunstraum Blumen (LE) über Displays im Stadtraum. Verwendete Materialien: Karton, Papier, Fototapete.
1. Raum
2. Publikation
|
| 248 |
Voreilige Schlüsse |
Timo Grimberg |
– |
Exhibition |
|
– |
2/2010 |
Voreilige Schlüsse
Testaufzeichnungen zur Agraphie
Einprägen, schätzen, aufhäufen, sortieren, zeichnen, malen, erinnern, summen, nennen, halbieren, berühren, zeigen, erkennen, nachsprechen, lesen, rechnen, syllabieren, legen, beiseite legen, nachpfeifen, buchstabieren, abschreiben, eintragen, ausstreichen, berichten, vervollständigen lassen. Eine Reihe von Aufgaben ergründet spezifische Ausfaller-scheinungen, die mit dem Unvermögen schreiben und/oder lesen zu können einhergehen. Mit einer 350 Tests umfassenden Versuchsreihe erstellt der Mediziner Günther Stallwitz 1950 einen Aufgabenkatalog zur Diagnose der durch Hirnveränderung erworbenen Lese- und Schreibstörungen. Dieser gliedert sich in ein optisches, ein akustisches und ein motorisch-sensibles Untersuchungsfeld. Durch Variabilität und Vielschichtigkeit der Tests versucht Stallwitz eine möglichst lückenlose Aufgabenstellungen zu erreichen, um im weitesten Sinne die Schreib- und Lesefunktion zu prüfen.
Drei Filme haben Stallwitz Ausarbeitung als Ausgangspunkt und stellen Versuchssituationen nach. Diese Aufzeichnungen zeigen einzelne ausge- wählte Tests in unterschiedlicher Kombination. Fernab medizinisch- pathologischer Intention entsteht aus einem Fundus an Motiven und Formen ein grafisches Gebilde.
Unter Verwendung der Dissertation von Günther Stallwitz, Versuche zur Analyse der durch umschriebene Hirnveränderungen erworbenen Lese- und Schreibstörungen. Marburg 1950
I Video 23 min., II Video 23 min., III Video 23 min.
Personen: Jan Poppke, Daniela Weirich
Kamera: Christoph Bartsch
|
| 249 |
Printed matter for Club Electro Putere Craiova |
|
CEP, Craiova (RO) |
Mixed |
|
– |
2010-2011 |
|
|
| 250 |
Puzzle Sammlungsausstellung |
|
Galerie für Zeitgenössische Kunst, Leipzig |
Exhibition |
|
– |
2010-2011 |
exhibition design in collaboration
with Anna-Lena von Helldorff
( www.ingebrauch.de )
|
| 251 |
24 Copies |
|
24 Copies |
Book |
20 |
14,8 × 21 cm |
2010-2013 |
|
|
| 252 |
Komet |
Joachim Bartsch |
– |
Book |
144 |
20,5 × 27,5 cm |
7/2009 |
"Umgekehrt gibt es Heterotopien, die nicht
im Modus der Ewigkeit, sondern in dem
des Festes mit der Zeit verbunden sind:
nicht ewigkeitsorientierte, sondern
zeitweilige Heterotopien. Dazu gehört
sicher das Theater, aber auch der Jahr-
markt, dieser wunderbar leere Platz
am Rande der Stadt und zuweilen auch
in deren Zentrum, der sich ein oder
zwei mal im Jahr mit Buden, Ständen,
den unterschiedlichsten Gegenständen,
mit Faustkämpfern, Schlangenfrauen
und Wahrsagerinnen füllt."
Michel Foucault. Des espaces autres (1967), Hétérotopies.
|
| 253 |
Randbelichtung |
Klasse Peter Piller |
Palais für Aktuelle Kunst. Kunstverein Glückstadt |
Book |
64 |
21 × 28,5 cm |
11/2008 |
|
|
